Quotation from: Lord Jim

Written by: Joseph Conrad


'His feet were glued to that remote spot and his eyes to their
indistinct group bowed together and swaying strangely in the common
torment of fear. A hand-lamp lashed to a stanchion above a little table
rigged up on the bridge--the Patna had no chart-room amidships--threw a
light on their labouring shoulders, on their arched and bobbing backs.
They pushed at the bow of the boat; they pushed out into the night; they
pushed, and would no more look back at him. They had given him up as if
indeed he had been too far, too hopelessly separated from themselves, to
be worth an appealing word, a glance, or a sign. They had no leisure to
look back upon his passive heroism, to feel the sting of his abstention.
The boat was heavy; they pushed at the bow with no breath to spare for
an encouraging word: but the turmoil of terror that had scattered their
self-command like chaff before the wind, converted their desperate
exertions into a bit of fooling, upon my word, fit for knockabout clowns
in a farce. They pushed with their hands, with their heads, they pushed
for dear life with all the weight of their bodies, they pushed with all
the might of their souls--only no sooner had they succeeded in canting
the stem clear of the davit than they would leave off like one man and
start a wild scramble into her. As a natural consequence the boat would
swing in abruptly, driving them back, helpless and jostling against each
other. They would stand nonplussed for a while, exchanging in fierce
whispers all the infamous names they could call to mind, and go at it
again. Three times this occurred. He described it to me with morose
thoughtfulness. He hadn't lost a single movement of that comic business.
"I loathed them. I hated them. I had to look at all that," he said
without emphasis, turning upon me a sombrely watchful glance. "Was ever
there any one so shamefully tried?"

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Old Dominion University CS Dept
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Created: 2007-2-22T12:35:29Z
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Part of a series of experiments in web preservation under the direction of Michael L. Nelson, Ph.D.