--Bull's eye again! said Lynch wittily. Tell me now what is CLARITAS
and you win the cigar.
--The connotation of the word, Stephen said, is rather vague. Aquinas
uses a term which seems to be inexact. It baffled me for a long time.
It would lead you to believe that he had in mind symbolism or idealism,
the supreme quality of beauty being a light from some other world, the
idea of which the matter is but the shadow, the reality of which it is
but the symbol. I thought he might mean that CLARITAS is the artistic
discovery and representation of the divine purpose in anything or a
force of generalization which would make the esthetic image a
universal one, make it outshine its proper conditions. But that is
literary talk. I understand it so. When you have apprehended that
basket as one thing and have then analysed it according to its form and
apprehended it as a thing you make the only synthesis which is
logically and esthetically permissible. You see that it is that thing
which it is and no other thing. The radiance of which he speaks in the
scholastic QUIDDITAS, the WHATNESS of a thing. This supreme quality is
felt by the artist when the esthetic image is first conceived in his
imagination. The mind in that mysterious instant Shelley likened
beautifully to a fading coal. The instant wherein that supreme quality
of beauty, the clear radiance of the esthetic image, is apprehended
luminously by the mind which has been arrested by its wholeness and
fascinated by its harmony is the luminous silent stasis of esthetic
pleasure, a spiritual state very like to that cardiac condition which
the Italian physiologist Luigi Galvani, using a phrase almost as
beautiful as Shelley's, called the enchantment of the heart.
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