Quotation from: A Portrait of the Artist as a Young Man

Written by: James Joyce


Stephen, though in deference to his reputation for essay writing he had
been elected secretary to the gymnasium, had had no part in the first
section of the programme but in the play which formed the second
section he had the chief part, that of a farcical pedagogue. He had
been cast for it on account of his stature and grave manners for he was
now at the end of his second year at Belvedere and in number two.


A score of the younger boys in white knickers and singlets came
pattering down from the stage, through the vestry and to the chapel.
The vestry and chapel were peopled with eager masters and boys. The
plump bald sergeant major was testing with his foot the springboard of
the vaulting horse. The lean young man in a long overcoat, who was to
give a special display of intricate club swinging, stood near watching
with interest, his silver-coated clubs peeping out of his deep
side-pockets. The hollow rattle of the wooden dumbbells was heard as
another team made ready to go up on the stage: and in another moment the
excited prefect was hustling the boys through the vestry like a flock of
geese, flapping the wings of his soutane nervously and crying to the
laggards to make haste. A little troop of Neapolitan peasants were
practising their steps at the end of the chapel, some circling their arms
above their heads, some swaying their baskets of paper violets and
curtsying. In a dark corner of the chapel at the gospel side of the altar
a stout old lady knelt amid her copious black skirts. When she stood up a
pink-dressed figure, wearing a curly golden wig and an old-fashioned straw
sunbonnet, with black pencilled eyebrows and cheeks delicately rouged and
powdered, was discovered. A low murmur of curiosity ran round the chapel
at the discovery of this girlish figure. One of the prefects, smiling and
nodding his head, approached the dark corner and, having bowed to the
stout old lady, said pleasantly:

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